Hit Him on the Head with a Hard, Heavy Hammer departs from the handwritten memoir of the filmmaker’s father and his experience of displacement during wartime. Referring to the notion Thomas Hardy termed ‘The Self-Unseeing’ in his eponymous 1901 poem, the film returns to childhood and the matters that harden us: upbringing, social status, education, labour, and familial bonds. The memoir weaves into the film as both a contemplation on mortality and an illustration of fading memory, reflecting on how we pen our pasts and how they can be re-told.
Fantastical, larger-than-life puppetry and rambunctiously playful choreography is framed against an ...
Innocent nature walk leads to a discovery of the morbid nature of humans.
Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows th...
This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the t...
A collection of images taken on 35mm film with a point-and-click Holga135BC during the year after I ...
Religious imagery in Curado I, a small neighbourhood in the northeast of Brazil.
"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resourc...
A trans Vietnamese woman's deadname being repeated over and over again.
Inside a computer a space-time is revealed in which image and sound become numbers and motion manife...
Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010
A short, three minute documentary exploring audio recordings from the year 1894 to 1922, layered ove...
Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre C...
A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imp...