Hit Him on the Head with a Hard, Heavy Hammer departs from the handwritten memoir of the filmmaker’s father and his experience of displacement during wartime. Referring to the notion Thomas Hardy termed ‘The Self-Unseeing’ in his eponymous 1901 poem, the film returns to childhood and the matters that harden us: upbringing, social status, education, labour, and familial bonds. The memoir weaves into the film as both a contemplation on mortality and an illustration of fading memory, reflecting on how we pen our pasts and how they can be re-told.
The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image fr...
Country songwriter Luke Dick spent his toddler years living in the Red Dog, the rowdiest and most po...
On the island of La Gomera, children imagine stories while they examine archeological remains. An et...
A quasi-documentary look at how certain things fit together. This film embraces an unhurried tempo.
A walk in the woods become a metaphoric journey in Chloé Leriche's short film. As a solitary figure ...
Tippi is no ordinary child. She believes that she has the gift of talking to animals and that they a...
"Tungkung Langit" is a title that refers to the god in the Panay epic whose tears become rain, but i...
Flowers, Animals, Grass, Sky, Loved ones, Like, Follow, Comment. View the forgotten and ruined memor...
A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, ...
A short experimental tone-poem documentary that explores three stages of the gentrification of Seatt...
An experimental video essay which uses circles and waves to explore neurodivergent experience.
a woman getting ready after a swim who happens to get captured by my lenses, farah.
A collection of memories from a tumultuous time at University.
fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and ges...