Constructing freestone buildings on the cheap, Pouillon made a name for himself at the end of the 1940s in Aix-en-Provence and Marseille, shaking up his peers who only dreamed of towers and concrete bars. In Algiers, until Independence, he built in record time thousands of homes for the poorest, real urban projects inspired by traditional forms. In the Paris region, to build comfortable buildings quickly and well, nestled in the greenery, he becomes a promoter: this too adventurous bet leads him to prison and retains his reputation. Not very explicit about this complex affair, but seduced by a contemporary architecture that combines technical inventiveness and ancient references, Christian Meunier films by multiplying the angles of view. Today's lively atmospheres are interspersed with archive footage, while Pouillon's writings are read off. Moved, his collaborators evoke a demanding and generous man, with an infectious passion.

In the heart of the Jura mountains, a call resounds through the forest. The silhouette of a Eurasian...
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Explores the paths being forged by six modern artists, giving us rare insight into the minds behind ...

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Portrait of the Italian sculptor Donatello (1386-1466), a precursor of the High Renaissance who cons...

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May 10th, 1981. François Mitterrand is elected President of the Republic. The “soviet tanks” suppose...

In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted i...