Constructing freestone buildings on the cheap, Pouillon made a name for himself at the end of the 1940s in Aix-en-Provence and Marseille, shaking up his peers who only dreamed of towers and concrete bars. In Algiers, until Independence, he built in record time thousands of homes for the poorest, real urban projects inspired by traditional forms. In the Paris region, to build comfortable buildings quickly and well, nestled in the greenery, he becomes a promoter: this too adventurous bet leads him to prison and retains his reputation. Not very explicit about this complex affair, but seduced by a contemporary architecture that combines technical inventiveness and ancient references, Christian Meunier films by multiplying the angles of view. Today's lively atmospheres are interspersed with archive footage, while Pouillon's writings are read off. Moved, his collaborators evoke a demanding and generous man, with an infectious passion.

Tribute to Leopoldo Méndez, a prominent Mexican artist, considered the most important printmaker in ...

Beth Moore-Love is perhaps the greatest living artist working in America today. Her works can be fou...
The first part of the documentary about the work of the Czech painter Mikoláš Alš called "The Song o...
The second part of the documentary about the work of the Czech painter Mikoláš Alš called "Glorious ...

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An extraordinary journey through the material that makes up our habitat: concrete and its ancestor, ...

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What does modern art mean for ordinary visitors to an exhibition?

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Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make ...