Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push...
A squatted bank tower in downtown Caracas is transformed into a socialist micro-society by 3000 peop...
Torre David, a 45-story office tower in Caracas, was almost complete when it was abandoned following...
Marion Stokes secretly recorded television 24 hours a day for 30 years from 1975 until her death in ...
A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany aft...
In the run-up to parliamentary elections in mid-October, Polish filmmaker Marcin Wierzchowski travel...
Amid the tumult of the Arab Spring in Cairo, vendors in a small souk observe the political upheaval ...
In an extensive mini-documentary by Michelle Boley (@roguekite) and Taylor Gill (@taylorcgill) and p...
Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unb...
When the revolution in Nicaragua won its victory nearly 40 years ago, the world began to dream. A yo...
Lebanon is a country hijacked by sects, money, and power. While citizens long for a collective ident...
How does one trigger a revolution? In the Romanian uprising in 1989, everything seemed to happen by ...
This program illustrates how video activists have developed sophisticated use of small format video,...
Vanessa Rosa was a uniquely entertaining and innovative streamer on the platform of Twitch, known to...
These are strange times indeed. While they continue to command so much attention in the mainstream m...
An asylum seeker from Hong Kong builds a new life for himself in Glasgow, using his passion for str...