Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.
Frontline examines Venezuelan president Hugo Chávez chronicling his rise to power and offering insig...
In 1794, French revolutionary Maximilien Robespierre produced the world's first defense of "state te...
In Italy, in the mid-seventies, Adriana, Barbara, Nadia and Susanna were 20 years old when they deci...
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push...
A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany aft...
A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 ...
The film explains the French Revolution of 1848. Bernard Blier's narration is supported by pictures ...
A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragu...
Scenes from holiday life at Lake Balaton in Hungary during the communism.
'Karama has no walls' is set amidst Yemen's 2011 uprising. The film illustrates the nature of the Ye...
This program illustrates how video activists have developed sophisticated use of small format video,...
How does one trigger a revolution? In the Romanian uprising in 1989, everything seemed to happen by ...
Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unb...
In the name of the struggle against terrorism, a special operation - code named CONDOR - was conduct...
Lebanon is a country hijacked by sects, money, and power. While citizens long for a collective ident...
A documentary about America’s current militarized police state, the liberal use of deadly force agai...