Some time after her death, film director Jill Craigie (1911- 99), re-opens an old suitcase, prompting memories of the extraordinary life and loves of this forceful, charismatic woman, whose work has been long neglected. Craigie was one of the first women to direct documentaries. Working outside the British Documentary Movement in the 1940s and early 1950s, her films such as To Be Woman (1951), on equal pay, and Out of Chaos (1944), the first film about artists at work, featuring Henry Moore and Paul Nash, tackled new subjects for the cinema through a unique blend of drama, polemic and humour. Independent Miss Craigie uses the director’s unseen papers, and her films, to reveal her energetic struggles to get her radical projects made and distributed, including her last one, on the Yugoslav conflict, made when she was 83, with her husband, former Labour leader, Michael Foot.
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Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push...
An overview of 21st-century feminism through the lens of pop culture.
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Scenes from holiday life at Lake Balaton in Hungary during the communism.
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A locomotive journey traversing the North to the South of the German Democratic Republic on the eve ...
This is an educational short released by the Los Angeles Public Library explaining what to expect wh...
This is What a Feminist Sounds Like is the story of 80 year old social activist Pat Noonan and it is...
Examines the life, work, and cultural significance of Gloria Anzaldúa, poet and visual artist, and t...
A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany aft...
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Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires h...
Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Dia...