a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)
All We Sheep Have Gone Astray is an experimental film that shows the internal struggles of a person ...
Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina...
Torn between loyalty to her family, and her love for Jason, Medea attacks her father and flees with ...
This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmograph...
Matthew (Steve Verhulst) an older, self-absorbed, boring, travel worker meets Anna (Sofia Sparta) a ...
A small Youtuber occasionally makes half ironic videos for few to see. A half narrative, half experi...
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell...
Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinh...
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand a...
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mou...
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the F...
At least forty films have been made about the Living Theatre; it remained to the American undergroun...
A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange fo...
A brass band member's hate comment in a public toilet triggers a chain reaction of diverse social ex...
A young boy creates a make believe world to escape his truth, a world where, at the water's edge, be...
In the final days of the American Civil War, an emigre Hungarian military officer attempts to map th...
In his contribution to the On Art and Artists interview series, Nathaniel Dorsky (b.1943) begins by ...
A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden...
a girl who's struggling to grasp a sense of reality, strains to feel bonded to the people surroundin...
A meditation on childhood, loss, and the desire to recreate one’s innocence; the recalling of memori...