A filmmaker reconstructs a common memory about the formerly industrialized Lake Constance region, which was also largely built up by migration – and in recent years has mainly attracted people who do not like to pay taxes. The imprints speak, the fog. Without talking heads, in perspectives beyond the memorialized self-image of this region, classism becomes comprehensible.

Angela Su’s fictional artist Rosie Leavers is the last remaining person to upload her consciousness ...
This film essay about mushrooms and their connections to other living things tries to use the struct...

A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, ...

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrato...

A provocative and poetic exploration of how the British people have seen their own land through more...
"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dism...

If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike ...

Equal parts documentary, visual essay, experimental collage narrative, and parodic homage to and of ...

Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on t...

A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city ins...

An audiovisual investigation into the way Spanish cinema has represented its audience throughout his...

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committ...

Twenty-five films from twenty-five European countries by twenty-five European directors.
Words are loaded with meaning. Certain ones conjure joyful memories and others remind us of less hap...

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produce...