Angela Su’s fictional artist Rosie Leavers is the last remaining person to upload her consciousness to a video game. Contemplating during a pandemic year which also saw people’s resistance movements in many parts of the world, the work pinpoints the uncanny affinities between gaming and warfare strategies. They have mutually informed the infrastructure of both worlds since time immemorial when diplomatic conflicts played out on the battlefield of the 64 squares of a chess board to flight simulation technologies which were adapted to shape gaming experiences as we know it now. When the conflict is between the state and its people, she speculates that gaming strategies empower civilians in resistance movements to counter imperialism through its own operative logic. But once we upload our consciousness, are we able to return to the sensibilities and political motivation that inspired the revolution to begin with?
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is...
Filmmaker John Torres describes his childhood and discusses his father's infidelities.
Two quotes from Paul Valéry: "Humanity is threatened by two dangers: order and disorder." and "Nothi...
A video-letter to Thomas Hoving, former director of the Metropolitan Museum of Art in New York and a...
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A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Braz...
A flickering dance of intriguing imagery brings to light the possibilities of ordinary movements fro...
The story of New Zealander Helen Todd's law suit against an Indonesian general that she pursued afte...
Tim Rogers and Robert Pelloni attempt to get into E3 without passes.
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Several days in the lives, and profiles of, the owners and players of the open air street chess tabl...
Checkpoint Zoo documents a daring rescue led by a heroic team of zookeepers and volunteers, who risk...