Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the S...

Documentary about Giger's work for the movie Alien (1979).

This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen f...

A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a...

In 1609, Henry IV sent Inquisition judge Pierre de Lancre to the French Basque Country to investigat...

Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the...

Arturo Urbiola, independent singer/songwriter, talks about the influence music has had on his life, ...

Rare 1977 documentary short hosted by Christopher Lee on the occult. Topics range from witch covens,...

Fictional Documentary. A dancer in one of the paintings by Edgar Degas one day stepped out of the ca...

Redheads. Fire crotches… This film collects samples of their testimonials and their body hair and sk...

The Falklands War began on April 2, 1982, with the Argentine landing on the islands ordered by Leopo...

A video essay by Mark Rappaport, which spans René Magritte and Michelangelo to Bonnie & Clyde. Let’s...

An investigation into the unfolding history of nuclear testing, uranium mining, and nuclear waste di...

Documentary presenting the different stages of General de Gaulle's trip to Quebec in 1967, accompani...

Like a visual elegy, My Memory Is Full of Ghosts explores a reality caught between past, present and...

Repainting Cuba takes a critical look at communist Cuba, where both the facades and the aging regime...