22 Light-years draws on a range of visual sources, including photographic negatives, diagrams, found patterned papers, and archival footage. These sources merge, sometimes uncomfortably, with video that was screen-recorded while operating desktop home design software. By creating digital floor plans, landscaping, and roofless homes in real time, and manipulating those videos to move them further away from the software’s intent, Geiser fabricates a digitally lush, elliptical, uncanny world, where home planning never results in a tangible home. The familiar material elements (negatives, diagrams, flower seed packets) wear the skin of the immaterial realm, suggesting time as simultaneous, mutable, and unknown. (janiegeiser.com)
Propulsive Polish avant-garde animation following clouds of shapes that resemble nebulae or stellar ...
Life’s Musical Minute, recently re-discovered, is a short promotional film of this kind, based on Ge...
Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow a...
"A film version of a videotape. In it my drawings are animated and colorized by using computers. Wal...
"In an effort to explore the flexibility of Telidon, Canada's videotex system, Pierre Moretti, anim...
Utilizing super 8mm and an economical shooting method of quick, short shots building idiosyncratic r...
Sabine is looking for a missing image: a day that has left its mark forever and that everyone rememb...
What happens when two hands touch? How close are they like? And how can proximity be measured, and e...
High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his V...
Schwartz reordered and combined angular contours, broken planes, and distorted proportions in her ow...
Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the enti...
An abstract ballet set to "I've Never Seen a Smile Like Yours".
The box from the film strip becomes an arbitrary plot of action relating to the mysterious phenomena...
motion capture choreography simulated against motion capture choreography
Cores (Colours) is an experimental and independent animation by Clint Bones. Using Stop-Motion Anima...
Utilising an apparently new-found obsession with the colour red and reinvigorating some of the circu...
In a lifeless urban landscape where time itself has stopped its crawl, a mad ballet is commencing an...