At a dusty crossroads in the desert city of Niamey, Niger, a crippled beggar is sitting in his wheelchair. He is Philippe Koudjina, who was once a successful photographer. In 1960s during the euphoria that followed independence, young people danced the twist and rock ‘n’ roll. Koudjina took snapshots and made a good living. Now, his negatives are decaying in a rusty cabinet. These snapshots now have artistic value. In Paris and New York, large sums are paid for photography like this. There is hope for Koudjina as two French connoisseurs are now trying to launch his work on the art circuit.

This documentary reaches to the depth of Somali history, starting from the strong kingdoms that rule...

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A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that...

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Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction ("...

Edeltraut Hertel - a midwife caught between two worlds. She has been working as a midwife in a small...

An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in...

With more than 300 days a year, the sun dominates this country so much that it’s even shining from t...

When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner ...

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. T...

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. ...

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A...

Drawing from never-before-seen footage that has been tucked away in the National Geographic archives...