At a dusty crossroads in the desert city of Niamey, Niger, a crippled beggar is sitting in his wheelchair. He is Philippe Koudjina, who was once a successful photographer. In 1960s during the euphoria that followed independence, young people danced the twist and rock ‘n’ roll. Koudjina took snapshots and made a good living. Now, his negatives are decaying in a rusty cabinet. These snapshots now have artistic value. In Paris and New York, large sums are paid for photography like this. There is hope for Koudjina as two French connoisseurs are now trying to launch his work on the art circuit.
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A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Braz...
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Keith Haring: The Message was released in conjunction with the Keith Haring retrospective at the Mus...
It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years ...
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. ...
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The inside story of Mohammed Emwazi's journey from being an ordinary London boy to becoming terroris...
Chelsea Bledsoe and her husband Graig throw a surprise intervention for her old high school boyfrien...
This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conserv...
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