At a dusty crossroads in the desert city of Niamey, Niger, a crippled beggar is sitting in his wheelchair. He is Philippe Koudjina, who was once a successful photographer. In 1960s during the euphoria that followed independence, young people danced the twist and rock ‘n’ roll. Koudjina took snapshots and made a good living. Now, his negatives are decaying in a rusty cabinet. These snapshots now have artistic value. In Paris and New York, large sums are paid for photography like this. There is hope for Koudjina as two French connoisseurs are now trying to launch his work on the art circuit.

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After bassist Jason Newsted quits the band in 2001, heavy metal superstars Metallica realize that th...

The search to prove that surfing is an African sport by traveling to the remote island nation of Sao...

Over most of two decades, Abu Mohammad al-Jolani’s life has been a roadmap of Islamist militancy in ...

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Norman is not just an admirer of nature, he's a part of it. He survives the harshness of the climate...

An Austrian director followed five successful African music and dance artists with his camera and fo...