In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.
'Don't build prisons, they cost too much!' In this era of Great Recession, the conservative and toug...
A documentary about socialising and society in early 1970s New Zealand.
A documentary taking its cues from children's imaginative flights of fancy.
An investigative film, an "investigative itinerary" from 1960 to 1975, in the story of Pasolini aliv...
This documentary digs into the stories of Indigenous women and families to reclaim their Indian Stat...
A playful yet critical exploration of a singularly Panamanian phenomenon, Reinas ushers us into the ...
From the personal to the political, the experiences of diverse women speak of how masculinized and v...
Through clippings, the film draws a narrative line between the construction of racism in Brazil and ...
Tjipto Setiyono, 85, is a rickshaw painter. Despite being past his prime, he lives alone in a 3-by-3...
Documentary where we know the work done by specialized teachers with students face barriers of learn...
Christian Garcia, a fiercely dedicated Latino political organizer, leads a team of young people mobi...
Raising Bertie is a longitudinal documentary feature following three young African American boys ove...
Africa in the sixties. The Nile perch, a ravenous predator, is introduced into Lake Victoria as a sc...
Five stories about dignity in the capital of Peru. A local leader looking for someone to leave the p...