In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovan...
Ten years after the film Home (2009), Yann Arthus-Bertrand looks back, with Legacy, on his life and ...
Told in the cinematic tradition of classic westerns, “COWBOYS - A Documentary Portrait” is a feature...
Thirteen years of war. Dozens of car bombings every month. One goal: to become an Olympic champion. ...
A look at the history of the Statue of Liberty and the meaning of sculptor Auguste Bartholdi's creat...
An amateur documentary crew dive into a growing opioid epidemic within Australia's Capital only to d...
Guy Debord's analysis of a consumer society.
This first co-production between the GDR and Great Britain is intended to contribute to an understan...
Are you a risky drinker? Nearly 70% of American adults drink alcohol and nearly 1/3 of them engage i...
The story of young Afghan girls learning to read, write and skateboard in Kabul.
Historical leaders of the PSOE, among them several former ministers, lambast the political legacy of...
THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German...
A cheap, powerful drug emerges during a recession, igniting a moral panic fueled by racism. Explore...
An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have prog...