In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.
Originally founded as Freedman’s Town after the Civil War, The Fourth Ward is one of the oldest and ...
Over one thousand people have been charged with storming the United States Capitol on January 6, 202...
Genuine connections between children and nature can revolutionize our future. But is this discovery ...
Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activi...
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They...
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extrem...
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices ...
An undaunted look into the cam business from performers and clients to website and studio owners.
A short, three minute documentary exploring audio recordings from the year 1894 to 1922, layered ove...
Guy Debord's analysis of a consumer society.
An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have prog...
A look at the history of the Statue of Liberty and the meaning of sculptor Auguste Bartholdi's creat...
Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impa...
Historical leaders of the PSOE, among them several former ministers, lambast the political legacy of...
Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people ...
In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although sco...
Ten years after the film Home (2009), Yann Arthus-Bertrand looks back, with Legacy, on his life and ...