In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.
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Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cart...

An in-depth profile of the life and career of Willy T. Ribbs - the controversial Black driver who sh...

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Children parade through the streets of Hinton St George in Somerset on the last Thursday of October....

Guy Debord's analysis of a consumer society.

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At the beginning of the 80s, the antinuclear movement was in full expansion internationally and also...

Documentary about young people who are dedicated to cleaning windshields in Ciudad Nezahualcóyotl to...

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An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extrem...

In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Do...

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