In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.

Every day they have to fight to exist. Immigrants and Afro-descendants in Brazil - one of the most r...

Sharon-Rose Khumalo, a South African beauty queen, faces an identity crisis after discovering she's ...

To celebrate the release of a new movie for their 20th anniversary, this documentary offers some beh...

Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work ...

Under the pretext of fighting terrorism or crime, the major powers have embarked on a dangerous race...

On the brink of social collapse, the city of Los Angeles is full of protests in favor of immigrants ...
A documentary focused on the proliferation of bedbugs in Marseille.

Fifteen years ago, social networks were seen as a new democratic ferment that, by promoting the diss...

Phil Comeau shines a spotlight on the Ordre de Jacques-Cartier, a powerful secret society that opera...

An impressionistic journey that reveals the daily struggle of the hungry peasant class.

Pasolini seeks in Africa the peasant and revolutionary authenticity he had sought in the Roman villa...

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German...

In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although sco...