In the spring of 1970, between the African Orestiade and The Decameron, Pasolini shot a film for which he wrote a commentary in verses but never finished editing. The film was born as a typical Pasolini intervention: filming the strike of the garbage collectors in Rome, who at the time worked in dramatic health conditions, and filming the humility of their daily work, amidst the waste and scraps of society, in the squares and in the streets. Pasolini also filmed the faces of garbage collectors engaged in claims discussions and the result was an extraordinary anthropological picture of an unknown humanity.

On the eve of the publication of a biography of Claude Jutra, one of the most famous and celebrated ...

Two filmmakers follow a businessman turned eco-activist as he exposes Romania's timber mafia. Their ...

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the...

The race for supremacy in the age of artificial intelligence is on: between the USA, China and Europ...

The trajectory of flamboyant bodies that expose themselves in their social networks, whether artisti...

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the...

A documentary film exposing the truth about psychics and fortune-tellers. All the ins and outs of ma...

Agnes may not seem like someone with much to laugh about. For one thing, she has albinism - a lack o...

Pitch Black takes us inside the claustrophobic worlds of three young men immersed in the online blac...

Unconditional: A Journey of Selfless Love explores the love, care, and sacrifices family caregivers ...

Compulsive Twitterer, Elon Musk bought himself his favorite social network in 2022, and brutally sha...

Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to su...