Produced for the 1972 Museum of Modern Art exhibition, Italy: The New Domestic Lanscape, Supersurface was the first of five films planned by Superstudio as a "critical reappraisal of the possibility of life without objects." Superstudio envisioned a "network of energy and information extending to every properly inhabitable area". According to the artists, this network would bring about the destruction of objects as status symbols, the elimination of the city as an accumulation of formal structures of power, and the end of specialized and repetitive work as an alienating activity. "The logical consequence," they write, "will be a new, revolutionary society in which everyone should find the full development of his possibilities".

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An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all t...

All Creatures Welcome explores the world of hackers and nerds at the events of the Chaos Computer Cl...

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a...
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Twenty-five films from twenty-five European countries by twenty-five European directors.

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A documentary based on the mutual experiences of a trio of directors, which portrays life in the bor...

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Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produce...

The mind process behind the film, Transformers the Premake, explained by Kevin B Lee himself.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrato...

An experimental documentary about dead turtles, crab swarms, decaying tennis courts, and microscopic...