R.E.M Burn is a visual poem addressing thematic elements of life and death cycles and traditional knowledge principles. In our initial consideration for this piece, the collective discussed examining the art and fashion world’s appropriation of Indigenous design and iconography. The film quickly became about more than acknowledging the distinction between appropriation and recontextualization, which is increasingly less distinguishable in an age of commodification. As Indigenous people, we understand that knowledge comes from our relationship with ourselves, each other, our communities, our animal relatives, and the land herself. In its truest form, this knowledge is without replication. R.E.M Burn is ultimately a reflection on the land that sustains us, the knowledge she offers, and the responsibility we carry to share those teachings for the well-being of future generations.
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to h...
The conflict over forestry operations on Lyell Island in 1985 was a major milestone in the history o...
Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the in...
In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Bur...
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Elliot Page brings attention to the injustices and injuries caused by environmental racism in his ho...
When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the firs...
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After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedica...
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The story of the Navajo, at work and play, in the Southwestern United States, and in particular, in ...
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