Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.
Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now...
Genuine connections between children and nature can revolutionize our future. But is this discovery ...
A lonely 40-year-old man sits on the balcony of a Finnish apartment building. Joonas Berghäll has le...
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experie...
In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision t...
On a sleepy summer night in 2004, eyes peer into the world-wide-web: traveling between conspiracy si...
You might think that your memory is there to help you remember facts, such as birthdays or shopping ...
The true story of Doug Bruce who woke up on Coney Island with total amnesia. This documentary follow...
A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following t...
This documentary is a moving look at 150 years of Canadian history through the iconic family photogr...
Through one woman's experience as an adopted person and also as a mother who relinquished her child ...
Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noch...
A portrait of Toronto, as defined by the spaces its queer residents inhabit and the memories they’ve...
Photos, home videos and especially a series of audios recorded without Julia's consent are the essen...
This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’...
RE:MEMBER is a documentary, split into three chapters, that provides insights into the topics of mem...