(Always) Next to Me is a 16mm film that pairs abstract sequences of plants developed directly on the film emulsion with intertitles briefly describing what was going on for me personally at the moment the plants were collected. I started the film at the beginning of the pandemic, just after I found out I was pregnant for the first time in April 2020 and finished it just before the birth of my baby in December of the same year.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides a...
Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level...
This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calenda...
Filmed during a visit to Jerome Hill in Provence, Jonas Mekas sets his Bolex to capture a single day...
Jonas Mekas transforms footage of the Ringling Brothers Circus into a rapid-fire montage set to musi...
'Hibiscus' highlights the city's hidden beauty and the warmth of its people that may go by unnoticed...
A portrait of a recently vacated home, the film evokes both memory and the lingering presence of pas...
In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting betwe...
The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn...
In the mountains of Córdoba hides a historical scar. In 1575, hundreds of Hênia-Kâmîare women, child...
In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his...
The discovery of a human torso thrown into a waterway, leads the viewer to observe the work of moder...
In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starri...
At least forty films have been made about the Living Theatre; it remained to the American undergroun...
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing lo...
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wier...
The absurd logic of the ‘real character’ and the extreme rules of Disneyland become apparent when a ...
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, ...