A worn-out floor, the hole underneath, a political activist, and the Ouled Sbita tribe are the protagonists in this political satire. For 23 years, the director’s chair at an international art institute scratched the wooden floor. This 102cm x 120cm floor section is cut out and sent to an expropriated piece of land in Morocco. In The Hole’s Journey, Ghita Skali uses sharp wit, personal stories and playful editing to touch on specific power dynamics and freedom of choice.

How did the Impressionists view the world? What relationship did they have with technique, with colo...

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A documentary account by award-winning filmmaker John Ferry of the events that led up to the 1969 Na...

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When two of artist Barbora Kysilkova’s most valuable paintings are stolen from a gallery at Frogner ...

The story of the 2019 Hong Kong protests, told through a series of demonstrations by local protestor...

Jim Carrey exhibits his talent as a painter and reflects on the value and power of art.

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In a year of uprisings and political unrest, Stonebreakers documents the fights around monuments in ...
A documentary by Olivier Gonard, shot partly in Paris’s Musée d’Orsay, that examines Olivier Assayas...

During the oppressive reign of Moroccan King Hassan II in the 70s and 80s (Years of Lead), many diss...
This MGM Passing Parade series short takes a look at changing definitions of art in the United State...