Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it. In this experimental essay on the condition of Algerian migrants in Giscard's France in the mid-1970s, every aesthetic choice has a precise and legible political motivation and gives body and voice to a figure completely absent from the experimental cinema of the time: that of the immigrant worker. Abouda is one of the children of immigrants seen in the film, and not a simple activist serving a cause, which is why the emotion of her experimental gesture, which she throws in the viewer's face, springs from a ferocity inscribed in her body, from an insatiable anger that inhabits her gaze.
60 years ago, in the Algerian desert, an atomic bomb, equivalent to three or even four times Hiroshi...
A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless...
Afro-Antillean workers hired for the construction of the Panama Canal are brought from their homes t...
In March 1973, the United Nations Security Council met in Panama City to debate the Panamanian claim...
Between 1954-1962, one hundred to three hundred young French people refused to participate in the Al...
This film presents the point of view of an Arab from Algeria who rebels against colonization. He ana...
Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Mo...
"Gerboise bleue", the first French atomic test carried out on February 13, 1960 in the Algerian Saha...
Over the course of a decade Brooks, Alberta, transformed from a socially conservative, primarily whi...
It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the ...
1962, at the end of the Algerian War, Algerian independence activists are released from Rennes priso...
Documentary edited from testimonies on the torture of people who experienced the war. Some witnesses...
The image of French prisoners was very often evoked in Algerian cinema and literature, but until tod...
The Law of Silence, a final-year documentary by Moïra Chappedelaine-Vautier at Femis, examines the 1...
This film begins with a Nepalese person named Minu who sings “Tears of Mokpo”. He came to Korea for ...
Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1...
“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root ...
Reserved by Citroën for immigrant workers, the Aulnay-sous-Bois factory experienced its first strike...
How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), ...