Near Munich, in Bavaria, Germany, is the Schleißheim Palace, where French filmmaker Alain Resnais shot his film Last Year at Marienbad in 1960. Nearby is the Dachau concentration camp, where thousands of people were killed between 1933 and 1945. An essay about the present and the past, beauty and horror, life and death.
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: internatio...
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a t...
A journey through the work of Spanish filmmaker Juan Piquer Simón (1935-2011).
A handful of prisoners in WWII camps risked their lives to take clandestine photographs and document...
The incredible story of Bruno Lüdke (1908-44), the alleged worst mass murderer in German criminal hi...
Austrian actress Romy Schneider (1938) and French actor Alain Delon (1935), once fervent lovers in t...
An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the lat...
Four lives that could not be more different and a single passion that unites them: the unconditional...
A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; t...
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Unt...
A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes...
On February 26, 1920, Robert Wiene's world-famous film The Cabinet of Dr. Caligari premiered at the ...
George Stevens's remarkable film is acclaimed by historians as the most important colour footage tak...
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Ma...
Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (194...
An account of the life and work of Russian filmmaker Andrey Tarkovsky (1932-86) in his own words: hi...
Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came i...
This is not merely another film about cinema history; it is a film about the love of cinema, a journ...