This 1981 Bolshoi production performed in the concert hall of The Kremlin is by far the best available, despite the more ‘historical’ picture and mono sound. The production itself is a very classic period production, with utterly authentic costumes and aptly dramatic sets. There are even horses on stage. The depiction of the Don Cossacks’ Khan Konchak and his tribe is colourful and historically informed in one. Needless to say, the scene of the Polovtsian Dances is spectacularly presented with great choregraphy and terrific dancing, in the league of the Spartacus of Bolshoi, no less.
Live performance from the Schwetzinger Festspiele, 1987. At the age of 21, Italian composer Giacchin...
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The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singe...
Two years prior to the opening scene, the nobleman Florestan has exposed or attempted to expose cert...
It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of...
Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval ...
All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by Jame...
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Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fideli...
The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in con...
This beautiful production by renowned opera director Michael Hampe was recorded at the exquisite Roc...
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make...