"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice
George Carlin is in top form with these stand-up recorded at the Beverly Theater in Los Angeles in 1...
An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
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Widely considered an important milestone in Indian Architectural history, the Kanade brothers are a ...
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetogra...
A live concert in tribute to Freddie Mercury, former lead singer of Queen. Mercury died of AIDS and ...
Have you ever had a dream that felt so real, you couldn't tell the difference between the real world...
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He has sold 120 million albums since 1960, that is to say more than 60 years of career and more than...
Documentary tribute from a great-grandson to his great-grandmother. In a Sunday, filmed in her daily...
Live performance broadcast of The Weeknd's album Dawn FM.
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The last live performance of Number Girl's last tour, recorded on November 30, 2002 at Sapporo Penny...
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