Pasolini seeks in Africa the peasant and revolutionary authenticity he had sought in the Roman villages. This hope will end in a new disappointment: Africa is a reservoir of irremediable contradictions that will explode in the massacres of yesterday and today. It is an Africa that starts from the outskirts of Rome, but thousands of non-EU citizens flock to the sub-proletariat of the villages.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extrem...

Frantz Fanon alone embodies all the issues of French colonial history. Martinican resistance fighter...

A glimpse of life as seen through young people at a Zimbabwean children's home.

Nine very private encounters with different people of the post-war generation and their memories of ...

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threa...

The art of drag represents an artistic transformation where individuals create characters by amplify...

Banksy is a household name, but behind this name hides a multitude of stories, artworks, stunts, pol...

Time passes, slips away, dissolves. But what if we could hold it for a moment? "Capturing Memories" ...

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the...

The story was born from the pen of debutante Callie Khouri: Thelma, married to a macho man, and Loui...

A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.

An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from t...