"David Rimmer's film is at once a somber and celebratory meditation on time and place. Its title, 'Local Knowledge', is marine terminology for what a skipper must know when navigating dangerous waters. Rimmer is an experienced sailor and the film's spiritual and geographical center is aptly named Storm Bay, where he spends his summers. But it's a troubled site. The camera, moving with tide and swell, seems to strain anxiously at its anchor and it becomes clear from here on in nothing will ever be at rest. Local Knowledge won't save anyone anymore. Preserved by the Academy Film Archive in 2015.

Musical adaptation of Charles Dickens' Oliver Twist, a classic tale of an orphan who runs away from ...
Documentary short film reporting on the activities of the American Red Cross and the useage made of ...

Beckett cycles through a limited number of drawings, but adds new information to each drawing every ...

“[T]he sense of moving forward [in space or time] alternates with a sense of expansion and contracti...

Brother and sister Enrique and Rosa flee persecution at home in Guatemala and journey north, through...

Short film made up of various clips showcasing the Cinecolor process, including a visit to a Marx Br...

Londoner Harry Fabian is a second-rate con man looking for an angle. After years of putting up with ...

A socialite marries a prominent novelist, which spurs a violent, obsessive, and dangerous jealousy i...

The basic image derives from a shot of women in (Edwardian era) dresses standing along the edge of t...

A TV movie sequence is repeated in slow motion: the sound gradually gets out of sync with the image....

Using fixed frame timelapse, 15 hours of a day in the mountains, showing the changes in the sea and ...

"Whereas SQUARE INCH FIELD was composed largely in the camera, Rimmer's next film, MIGRATION, made f...

Blue Movie was made for the international Dome Show where it was projected down onto the muslin surf...

"Treefall" was originally made for a dance performance at the Vancouver Art Gallery, April, 1970. St...

With an irresistible humour, Rimmer speculates in The Dance on the nature of the film loop. We see a...

Mr. Wilson hires Mantan to travel out West and clean out an old property. Mantan runs into trouble i...

"Color/form, light/shadow, flatness/depth, figuration/abstraction, landscape/paint, all collaging an...

Adopting its title from a poem by Edna St. Vincent Millay, What’s Out Tonight Is Lost is an elegiac ...
"Taken between September 1970 and May 1971, with the unmoving camera apparently bolted to the window...
Musing on the past and the present, on roads not taken and the road I was already on. For Jeanine Ha...