When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.
Tom Hill, a Seneca artist and curator, explores the works of four contemporary Indigenous artists.

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Set against the unforgettable beauty of Haida Gwaii (formerly known as the Queen Charlotte Islands),...

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Resident Orca tells the unfolding story of a captive whale’s fight for survival and freedom. After d...
Filmmaker Charles Wilkinson gives viewers an immersive look at that potlatch, a jubilant gathering t...
Famed Haida artist Robert Davidson carves his latest monumental totem pole and gives a rare insight ...

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