In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.

For several decades, gifted and incredibly prolific forger Mark Landis compulsively created impeccab...

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German...

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed ...

In the course of Alaide Foppa's life, she became a precursor of feminism in Mexico. She was an immig...

The story of Pocahontas has been passed down through the centuries. Her relationship with John Smith...

Reporter Clay Pigeon interviews New Yorkers in October, 2008.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time...

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how ...

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful an...

Margaret Tait documents her house, studio and garden in Buttquoy, Orkney as the seasons pass. She ha...

With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey ...
The Head of a Pin reveals the awkward ruminations of the filmmaker and her friends as they attempt t...

After a twenty year period of multiple illnesses and injuries, the filmmaker turns the camera on her...

Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daugh...

Through an intimate and artistic lens, yet investigative and political, Milk brings a universal focu...

In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forc...

Examines the impact a century of struggling for survival has on a native people. It weaves the Crow ...

In the year 2000, Les Blank, along with co-filmmaker Gina Leibrecht, visited Richard Leacock (1921-2...