Its production seems like a game: throwing a Super 8 camera, turned on and recording, from what was, at that time, the tallest building in Caracas. The film films the shots of its own accelerated fall, a succession of chromatic shots that cannot be identified either in terms of what is “recorded” in each one (windows, columns, walls, sky or floor) or in its own formal configuration as an image (color, composition, shapes or figures). What is perceived and apprehended is the impotence of vision – of perception – to distinguish this extreme and exhausting mobility, this vertigo of “free fall.”

Leevi Pienihäkkinen’s tight experimental short documentary Peace and Silence dives into the Helsinki...

A collection of memories from a tumultuous time at University.

Composed entirely of AI-generated visuals and providing an abstract representation of the evolution ...

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by...

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

A hen questions the meaning of her life on a farm.

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young coup...

A political assassination leads to division and chaos.

A short documentary and character study about a woman's complex relationship with religion and famil...

What remains for me is to promote my own ruin. Aware of inevitable loneliness, the incarnation of cr...