The audience is invited into Violetta’s privacy to have a close look at the fire to which she abandons herself among the guests of this musical and phantasmagorical celebration that blends theatre and opera, voices that speak and sing, and where the distinction between the instrumentalists and the singers becomes blurred, where Charles Baudelaire is seated next to Christophe Tarkos, and where the phantoms of this Paris in full industrial boom whose future we are living at present, sing and die.
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pag...
After the great success of his Beethoven cycle, Christian Thielemann now turns with his new orchestr...
Around 1536, at Windsor Castle, King Henry VIII of England fell in love with the young queen's lady-...
Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayab...
Based on real events and drawing on Georg Büchner's revolutionary play, Alban Berg's Wozzeck turns a...
The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The do...
The Choir and Orchestra of the La Fenice Theatre, conducted by Fabio Luisi, take over Piazza San Mar...
Based on Ruggero Leoncavallo's opera Pagliacci. The film recounts the tragedy of Canio, the lead clo...
In the Swedish city of Lethe, people from different walks of life take part in a series of short, de...
Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her pa...
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make...
In Ireland in the mid 1960s, two feuding brothers and their respective Ceilidh bands compete at a mu...
In the 1970s, Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, inte...