For his opera Garnier stage-directing debut, Simon Stone creates a sensational La Traviata, 2.0! Pretty Yende and Benjamin Bernheim triumph as Violetta and Alfredo in a production that remixes the beloved operatic masterpiece’s familiar love story for the digital age, adding social media notifications, all-nighters, texts, and parties to produce an interpretation starkly appropriate for our modern era. At the podium, Michele Mariotti conducts the Paris National Opera Orchestra.
Set in 16th-century France and Spain, Don Carlos tells of the political and amorous rivalry between ...
La Vie parisienne (Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach in ...
First performed in Paris in 1843, at the turning point of several eras, Don Pasquale, a composite an...
Les Huguenots is a monumental fresco featuring various impossible loves in the context of the Saint ...
In Benoît Jacquot’s production, Manet’s Olympia dominates the stage of the Opéra Bastille. In 1863, ...
“Foolish indeed is he who marries in old age.” Thus ends Don Pasquale: with a wise dictum not lackin...
Renee Fleming stars in Dvorak's three-act opera based on two fairy-tales which tells the story of a ...
During his birthday’s celebration, Prince Siegfried must choose a bride. Trying to escape reality, h...
In February 1972, the American president Richard Nixon went to China to meet Mao Zedong. In the cont...
Three colours, three moods, three registers. And yet Puccini conceived this triptych as a whole from...
Directed by Ursel Hermann, this 2005 production of Mozart's last opera stars a remarkable cast with ...
Stéphane Lissner, director of the Paris Opera, entrusts the staging of the opera-ballet Les Indes ga...
A young woman from the American Midwest, Loïe Fuller became the toast of the Folies Bergère at the t...
Idi and Rita live with their grandmother, Manie. Idi tries to keep the memories they have of their m...