Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.

In a fascinating geopolitical drama, Danish filmmaker Mik-Meyer closely follows Ravalomanana as he a...

Håkan Juholt came from the reserve bench and became captain of the whole team. A high-stakes bet tha...

Carne Ross was a government highflyer. A career diplomat who believed Western Democracy could save u...

On June 11th, 1997, Philippe Kahn created the first camera phone solution to share pictures instantl...

Short about the disappearance of the body of the political Argentinean writer Rodolfo Walsh after he...

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Since the late 18th century American legal decision that the business corporation organizational mod...
Two daughters of North African immigrants, born in Marseilles, who are barely over thirty years old,...

In June 1999, Jean-Claude Gaudin organized a great popular festival, "La Massalia", to celebrate all...

This raucous journey into the heart of democracy captures an unusual rite of passage: 1,100 teenage ...

Charting the recent advancements in weaponized communication by investigating the rise and fall of t...

The film exposes the links between Agrifood and politics. With a pool of international experts it an...
The documentary Felipe González approaches some of the most important facets and stages of the Andal...