Amanar Tamasheq parts from the exciting adventure of the director on a trip with the Tuaregs rebels in the desert of Mali, to convert the camera into the most powerful weapon. The terrible history of this people, always under threat, is built through their own words in a text that, from their own statements reworked, overlaps in the form of subtitles to images. These, far in the highest degree of language that normally tells the violent, they gain political power and radical rarely seen.
In Brussels, Belgium, the Royal Museum of Central Africa is undertaking a radical renovation, both p...
On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted an...
At a 2005 Carnival night, something mysterious happens at Porto Formoso bay, leaving the fishing boa...
IMAGINERO is an ethnobiography of Hermogenes Cayo, a self-taught woodcarver and painter who lives on...
A documentary that invites us to discover the strange path led by the explorer-ethnographer Marquis ...
Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco I...
A portrait of Santos Port, its geography, workers and the life that surrounds it, including the poor...
With a dual motion a cruise ship and a fishing boat pass one another on the Nile and butlers in turb...
Living among the percebeiros of the Coast of Death (Galicia), this documentary shows a unique relati...
The words of the women and the rhythm of their lives in the seclusion of family compounds suggests b...
A sensory record of the relationships of affinity and enmity with fire in the conservation of the Ce...
Between Africa and the catalonian Penedés stands the distance of a videocamera. A cut. What is what,...
An original video diary documenting the director's efforts to have artificial insemination. Cuthand ...