Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.
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Ever since it opened the 2006–07 season, Anthony Minghella’s striking production of Madama Butterfly...
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The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his lon...
All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by Jame...
Radiant mezzo-soprano Susan Graham and dashing Italian tenor Marcello Giordani are unlucky lovers in...
Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act o...
American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the l...
Anthony Davis’s groundbreaking and influential opera, which premiered in 1986, arrives at the Met at...
The success of Verdi’s third opera, a stirring drama about the fall of ancient Jerusalem at the hand...
Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that ...
Extraordinary soprano Asmik Grigorian tackles the demanding role of Cio-Cio-San, the loyal geisha at...
Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin...
Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music D...
In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscori...
John Adams’s mesmerizing score, in the powerful production of Penny Woolcock, tells the story of one...
Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the...
Just as a young woman is about to marry her sweetheart, she is discovered—by the entire village, to ...
Premiered immediately before the enduring masterpieces Rigoletto, Il Trovatore, and La Traviata, Lui...