Dora Maar, a world-class photographer who began her artistic career in the French Surrealist scene of the 30s, lived in the shadow of Spanish painter Pablo Picasso, her lover between 1935 and 1943, with whom she maintained a chaotic, even violent, relationship. Fortunately, she survived Picasso's abusive behavior and its sequels to find a new path, the best one, the one that is worth to be told, in spite of Picasso.
In 1979, the Pacific Club was opened in the basement of La Défense - the business district of Paris....
Short subject on how fashion is created-- not by the great couturiers, but on the street.
The celebrities who visited Luisita Escarria's photo studio in Buenos Aires for decades are countles...
In the sixties, Peter Handke was one of the first to show how the business works: the writer as angr...
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extrem...
In France’s last presidential election, Marine Le Pen, a right-wing candidate, won over 30 per cent ...
This documentary is a captivating account of the defense of Wake Island by a small contingent of Uni...
A history of the bridges of Paris, through modern views and historical engravings.
This short documents the important role played by bread in the daily life of the city of Paris.
In this hybrid political thriller and verité portrait documentary, Sara Nodjoumi, working with co-di...
A walk through the career of French filmmaker André Téchiné, from his own point of view and that of ...
Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation...
Nazi troops massacre 30,000 Jews over a three-day period in September 1941. Babyn Yar ravine in Kyiv...
Sometimes reduced to the image of a cursed artist, Amedeo Modigliani, an admirer of the masters of t...
German war documentary about Yugoslavia from 1941.
This documentary tells the story of the life, career and influence of the surrealist painter Salvado...
Explore the life and work of the painter who formed a bridge between the Impressionist and Cubist ar...