"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973
Five inmates recite poetry while time keeps passing by.
An attempt at understanding why Shico makes movies.
Jacqueline Gozlan - who left Algeria with her parents in 1961 - nostalgically retraces the history o...
“In Algeria, we are restoring order, what we mean by French order,” declared Michel Debré, Prime Min...
An account of the brief life of the writer Albert Camus (1913-1960), a Frenchman born in Algeria: hi...
How African artists have spread African culture all over the world, especially music, since the hars...
Could film gelatin, a 16mm film camera, 3 lenses and film developing chemistry experimentation act a...
Portrait of the Algerian singer and composer Kamal Hamadi (husband of the singer Noura). Performer, ...
A documentary road movie with René Vautier In the aftermath of Algeria's independence, René Vautier...
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held ...
Cheikh El-Hasnaoui is an Algerian singer who left his country in 1937 without ever setting foot ther...
This FitzPatrick Traveltalk short visits the cities of Casablanca, Rabat, and Marrakesh in Morocco, ...
This video research is based on a trip to Morocco in July 2005, during which the director documented...
An experimental essay film about terrorism, media, violence and globalisation. Three infotainment ne...