"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973
This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmograph...
An exploration of fluidity in both motion and corruption. Water, ever-shifting and formless, becomes...
A further iteration of the initial experiment, pushing the limits of data moshing, glitching, and di...
Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature....
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Documentary dialogue with young women in Algiers on their experience of independence shortly after t...
In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted i...
"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the ...
An experimental essay film about terrorism, media, violence and globalisation. Three infotainment ne...
Director Djamel Kelfaoui pays tribute to the great singer Cheb Hasni, king of sentimental raï, who b...
The Algerian Sahara is the most exceptional deserts. He densifies everything he hosts, men and natur...
This Traveltalk short visits the ports of Algiers and Monaco in the Mediterranean.