A lone man walking across the video screen is the starting point for this dynamic formal exercise. This image and its accompanying sound are subjected to increasingly complex and proliferating configurations to arrive at what Emshwiller calls a "visual fugue" in time and space, structured like musical or mathematical sequences. The walking figure and its de-synchronized footsteps are multiplied, slowed down, accelerated, reversed, syncopated, overlapped and otherwise altered in multifarious variations on a theme, building in a kinetic, almost narrative progression of compositional relationships. The screen is finally transformed into a dance of motion by male and female figures in an abstracted, colorized space. Rather than an analysis of movement a la Muybridge, Crossings and Meetings is a celebration of the potential for representing movement in time and space through video.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides a...
"Good-bye G.O.D." was a play written specially for Jack Birkett, 'The INCREDIBLE ORLANDO', to be per...
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and...
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What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circ...
Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.
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You and AI at the end of the world.
A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becomi...
SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own ...
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Events take a sinister turn one night in London, when two very different couples arrive at a double-...
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A depiction of a girl’s uneasy state of mind as it wavers between life and death.
Set halfway through the 17th century, a church play is performed for the benefit of the young aristo...