The story of the struggle for the women's vote is much more than just the account of the exploits of Emmeline Pankhurst or the tragic fate of Emily Davidson. Lucy Worsley puts herself at the heart of the drama, alongside a group of astonishing young working class suffragettes who decided to go against every rule and expectation that British Edwardian society (1901-1910) had about them…

A procession from Artists' Campaign to repeal the 8th Amendment of the Republic of Ireland.

Hermanovce, Slovak Republic. A Romani village located deep down in the valley, with old shacks and n...

For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record...
What has shaped the appearance of Brno and the lives of its inhabitants over the last two centuries?...

Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an...

An account of the life and work of the Spanish clown, mime, acrobat and actor Marcelino Orbés (1873-...

Poland, 1970. When popular protests erupt in the streets due to rising prices, the communist governm...

Three teenage girls living in the village of masculism, where life is absolutely crap, what are they...

The cinema of Pernambuco is considered one of the most complex components of Brazilian cinema, parti...

Portrait of a typical European feminist - Olga Lipovskaya (1954-2021), journalist, translator, poet,...

Hygienic habits are as old as the various human civilizations; but each era establishes its own cust...

During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the ...

In a world where technology and humanity intertwine, Tiffany, a self-aware feminist "sex robot", emb...

The story of the Trojan Horse is probably one of the most famous stories ever told: after ten years ...


Mustafa Kemal had just begun his journey after proving himself in 1915 at the Gallipoli front. He wo...

An account of a young Italian boy who was taken in by a Canadian military unit during World War II.