In the unearthly world of E, hand-made meets hi-tech as characters appear to consume one another with their own, trafficked likenesses. Constructing her work entirely from laser-printed film stills (approximately 770 in total) lifted from Niklaus Schilling’s 1972 horror film, Nachtschatten, Zemlianski rips, layers, and paints these images with pastels and charcoal, then scans them back together into a bracing animation set to the eponymous song (“E”) by the Berlin-based band, Comb.

Murad Salem is a rich man who is used to getting what he wants whenever he wants it. When he meets a...

A young Jewish man is torn between tradition and individuality when his old-fashioned family objects...

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make...

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

Eric Leiser displays his boundless creativity in this short collection; A stunning compilation of wo...

The true story of B.: Torn between a cold relationship with K. and her feelings for another woman, s...

High schooler Asaya Kanata throws himself into creating music videos. One night, he is stunned by th...

Even though Sam's father is hardly ever home because he is often away on business trips, he is able ...

Centrist revelations abound among repetitions & revisitings.

In a 19th-century European village, a young man about to be married is whisked away to the underworl...

In a dystopian society where the only acceptable behaviour is unquestioning conformity, for those un...

When a young man opens his window on a hot summer night, an unwanted demonic creature is allowed ins...

Morning outflow and evening inflow of the sea change a tide of life of the coastal small town.

A parable about the fragility of relationships. Love is sought, found, tested, lost...

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last ...

Perihelion is a sort of animated tone poem. It is a short film that toes the line between narrative ...

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in ...