Over the past 25 years, Lauren Greenfield's documentary photography and film projects have explored youth culture, gender, body image, and affluence. Underscoring the ever-increasing gap between the haves and the have-nots, portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.

A cartoon film about the whole heterogeneous mixture of Canada and Canadians, and the way the invisi...

From the acclaimed director of American Movie, the documentary follows former Los Angeles police off...

With breathtaking clarity, renowned University of Massachusetts Economics Professor Richard Wolff br...

The Future Doesn't Need Us… Or So We've Been Told. With the rise of technology and the real-time pre...

Since the late 18th century American legal decision that the business corporation organizational mod...

Record high oil prices, global warming, and an insatiable demand for energy: these issues define our...

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impa...
A serious docu-comedy about the commercialization of Christmas. What Would Jesus Buy? follows Revere...

A symphonic journey into our obsessive consumption. The many objects we accumulate begin their produ...
A Eurovision singer, Iceland's strongest woman, a male model, a plumber who wants to direct movies. ...

The history of arguably the most famous shop in the world, which has been based on Brompton Road in ...

In America, size matters. The bigger you are, the more power you have, especially in the business wo...

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the l...

Gimme Green is a humorous look at the American obsession with the residential lawn and the effects i...

British historian and author Niall Ferguson explains how big money works today as well as the causes...

This documentary takes the viewer on a deeply personal journey into the everyday lives of families s...

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during hi...