The narrative thread in Taysir Batniji’s video is a telephone conversation between the artist located in France and his mother located in Gaza. Starting from this intimate, fluctuant, fragmented, difficult and sometimes indistinct exchange, the artist questions the resonance of words like displacement, in-between and exile. Through a triple point of view, Ma mère, David et moi explores how to look at one’s home from elsewhere and how to establish connexions by combining narration, souvenirs, impressions, the personal story and information documents.

The first of two documentaries about Ingmar Bergman produced to mark his 70th birthday. Includes beh...

Though Henry Kissinger is often giving short statements to the media, he refuses detailed interviews...

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms...

It is hard to find a family home where all the members have gone to live their separate lives in dif...

The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar...

Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s i...

Pole, who are you? This film collage that combines archival and contemporary materials, documentary ...

Director Philip Haas and artist David Hockney invite you to join them on a magical journey through C...

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little roost...

On 15 May, 2006, double amputee Mark Inglis reached the summit of Mt Everest. It was a remarkable ac...

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vaca...

The filmmaker interviews still surviving residents of Las Hurdes, where Buñuel shot a controversial ...