A simple gesture, introduced in the very title of the work, is repeated with slight variations – the glass is half filled, the content overflows, the glass breaks, the milk spills on the table – and constitutes the film’s only action. Lamelas rejects any type of narration or human presence, and the filmic code – reduced and dissected – comprises the only argument.
First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker ...
Rephotographed pornographic playing cards rhythmically intrude upon a piercing 5-beat score of diffe...
A dark take on media manipulation and political situation in Malaysia. The idea is to convey how nor...
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamat...
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until t...
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made t...
Routine imprisoned Eva in an automatism that was ingrained in her spirit. Dromomania will perhaps be...
A personal, subjective journey into the mind of Greta Thunberg, before realizing her calling as a cl...
Ostensibly searching for an emotional connection with her aging father, the woman contemplates her o...
One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic,...
Between a man and his lover lies a wall, between the man and the country he loves lies another wall....
Features four distinct, bizarre, existential tales about people whose lives are in transition, who a...
A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Pres...
A company president gets framed with a food-poisoning scandal and the only person who can help him i...
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Pe...