As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes.

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The Falklands War began on April 2, 1982, with the Argentine landing on the islands ordered by Leopo...

Two old men enter an abandoned synagogue, look at the decay around them, and pray.

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children...
Expeditions in the Western Canadian Arctic
Film about the Ethiopian famine of I984/85 and the measures taken to combat it
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Natalie Portman reflects on how she was cast in the film Léon: The Professional (1994) at such a you...

Sally leads ‘Woodend Community Bags’ - a group of unlikely activists fighting against single-use pla...

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A brief visual journey through the subways of major world cities. Without narration, Marker captures...

Through a powerful visual metaphor, Camille Vigny gives a first-person account of the domestic viole...

A Documentary film, following a group of friends going through their college life. with 3 months of ...

Originality in a time of poorly made copies, a filmic inventory of a strange time, a kaleidoscope of...