As with so many early films by Sokurov, this film has two dates: the first is the date of its creation (the film was then banned), the second is the date of the final edition and legal public screening. The film consists of German and Soviet archive footage of the World War II — to be exact, from the end of the war. An attempt to make a large–scale documentary on this subject had been undertaken in the Soviet cinema of the 1960s: the film — “Ordinary Fascism” — by the outstanding Soviet film–maker Mikhail Romm had become a classic retrospective investigation of fascism. But Sokurov uses the expressive power of the documentary image in an absolutely different way. He does not amass materials for a large–scale picture of Nazi crimes.

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The director documents the events leading to a reunion with her estranged father.
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The earliest surviving motion-picture film, and believed to be one of the very first moving images e...

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This short documentary produced by the University of Oregon Multimedia Journalism graduate program e...

An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and...

Documentary on the former border patrol sergeant Klein. Klein deserted in 1961, defected to the enem...
Short film intended for the mobilization of NVA units to secure the state border in Berlin on 13 Aug...

The first woman to appear in front of an Edison motion picture camera and possibly the first woman t...