On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
1 minute experimental film.
Rather pointless, rather stilted, fetid; not what we want us going after.
Return to 'burn' only to find out you're already in that urn.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as ch...
As a family struggles to survive in rural isolation during the Great Depression, their daughter's se...
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-...
Beyond all human restraint lies one's lugubrious layers of paint.
I really hope this is well-received. I really hope there's some sort of reprieve.
Shadows frighten what one oughtn't be gripping (that thing before/hind you).
Radical recurrences & rancorous requests raze my daze.
Onward, upward, greener [redder] grasstures.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in ...
Hiding inside&out, writhing about, taken out&in.
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journe...
Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.
A psychedelic montage of home movie footage gives way to a silent western story.
The relationships between the stained glass rosettes and the floral forms, between the architectural...
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in ...