The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.

In November 1936, a few months since the beginning of the Spanish Civil War, the government of the S...

The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera...

In the early 1900s, the fictional Catfish Row section of Charleston, South Carolina serves as home t...

Martin Scorsese is among those paying tribute to Gene Tierney, the Academy Award-nominated American ...

Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix...

The Shadows long and influential career has spanned 6 decades, with hit singles or albums in every o...

How does Genesis relate to the "real world?" Does it matter whether one believes in Creation or Evol...

This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect ...

Director Philip Haas and artist David Hockney invite you to join them on a magical journey through C...

Cyprien Tokoudagba is from the city of Abomey in the Benin Republic of West Africa, where he paints ...

Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian ...

A musical romantic tragedy about a famous composer who moves back to his small hometown after having...

Jake Blues, just released from prison, puts his old band back together to save the Catholic home whe...
