Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vaca...

The filmmaker interviews still surviving residents of Las Hurdes, where Buñuel shot a controversial ...

Documentary about the painter Lucian Freud.

Paris, Rue Beautreillis, July 3, 1971. The corpse of rock star Jim Morrison is found in a bathtub, i...

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little roost...

Fred Beckey is the legendary American "Dirtbag" mountaineer whose name is spoken in hushed tones aro...

It is 1945. Enrico Piaggio’s Pontedera factory is in ruins and the 12,000 people who worked there ar...

In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although sco...

Kirk Douglas recounts his remarkable life in a celebrated one-man theater performance augmented with...

Acknowledged as one of the greatest singers of the twentieth century, Arena explores the rise of the...

Roald Amundsen's South Pole Journey is a Norwegian documentary film that features Roald Amundsen's o...