Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.
Documentary about the VW Beetle and its origins.

For longer than the United States has been an independent nation, there has been a Marine Corps. The...

Sandra rummages in the fragments of her memory and photographs in order to reconstruct the portrait ...

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little roost...

Documentary short film by Mario Handler about the city of Prague as part of an internship to study f...

Fred Beckey is the legendary American "Dirtbag" mountaineer whose name is spoken in hushed tones aro...

It is 1945. Enrico Piaggio’s Pontedera factory is in ruins and the 12,000 people who worked there ar...

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vaca...

The filmmaker interviews still surviving residents of Las Hurdes, where Buñuel shot a controversial ...

Documentary about the painter Lucian Freud.

Follows the story of "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Par...

How does Genesis relate to the "real world?" Does it matter whether one believes in Creation or Evol...