Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

The brilliant Czech writer Milan Kundera has not given an interview in thirty years; nor does he app...

A documentary about the Synthwave scene, nostalgia and the universe of creating sounds. A love lette...

Documentary about Soviet-born pianist Vladimir Ashkenazy.

I Was a Jewish Sex Worker is a humorous, no-holds-barred autobiographical film about the director’s ...

In 1972, officer Frank Serpico exposes the corruption which poisons the roots of the NYPD and become...

Torremolinos, province of Málaga, Spain, autumn 1981. In the basement of a pub frequented by foreign...

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prep...

For over 40 years Val Kilmer, one of Hollywood’s most mercurial and/or misunderstood actors has been...

Explore the life of Flannery O’Connor whose provocative fiction was unlike anything published before...

At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Bal...

Jean-Christophe Averty, a French television director and video artist pioneeer, retraces here the li...

Winner of a record breaking, 6 Ballon d'Or's, Lionel Messi has proved time and time again that he is...

A profile of writer-director Billy Wilder