Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

The sights and sounds of a kimchi factory in Vietnam.

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vaca...

The filmmaker interviews still surviving residents of Las Hurdes, where Buñuel shot a controversial ...
An analysis of the spirit and human qualities of Knud Rasmussen, who made a unique contribution to t...

In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes ...

Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make ...

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little roost...

After seeking transcendence through shamanic rituals, Ana’s life is transformed overnight by an unex...

It is 1945. Enrico Piaggio’s Pontedera factory is in ruins and the 12,000 people who worked there ar...

A journey through the artistic life of the British-American rock band The Pretenders, formed in 1978...