Described as being based on a play by Talaya Delaney, Kevin Jerome Everson' silent HOUSE IN THE NORTH COUNTRY is not your typical stage adaptation. For one, it is unclear where the rehearsal ends and the performance begins. Everson's close-ups offer a distinctly cinematic rendering of theatrical blocking, with the actors' repeated movements (a soldier’s salute, a woman's carrying a lit torch) taking on heightened significance. The plot remains obscure but Everson conjures a psychological intensity comparable to Maya Deren's studies for camera. - Max Goldberg

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An experimental film shot with the purpose of trying to create a hostile alien environment using onl...

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A faceless protagonist witnesses the alienation of gentrification as his home is overtaken by develo...

The much sought-after, two-letter web domain suffix of the title is examined as both a form of capit...

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