Borrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen ...

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

A film unmade-- That is, Survage's film was never realized in the traditional sense-- At the time, s...

A mathematical play on one repeated movement. It imparts a sense of possibilities: that something si...

This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is on...

Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has b...

Jane Conger Belson Shimane's first film, Logos, premiered in 1957 and was screened at festivals in N...

A unique journey across a topography created entirely from a form of digital light and shadow—a bris...

This is no animation, it's one picture. Short experimental film by Mirai Mizue

This short experiments with the flow of oil ink over the surface of the water. Mizue manipulated the...

Astract stop-motion short film using "lightning doodles" by Tochka.

Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures,...

An attempt to visualize higher dimensions and unearthliness, taking into account these concepts' hei...

A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three...

Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carniv...

Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring ...