Borrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.
Scroll paintings prepared like film strips with successive images.
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's ...
After Billy finds a winning scratch ticket, the gas station gets a new lottery machine that becomes ...
An interactive flash animation from Dutch digital artist Han Hoogerbrugge.
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three...
In Wiertz and Verbeek's kinetic, kaleidoscopic opus Keep on Turning (1974, 3 min, 16mm, sound) cubes...
Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures,...
Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms,...
A film about uncanny valleys and the space between. Painted 16mm film undergoes a monstrous transfor...
Sketch Film #3 (Tomonari Nishikawa, 2006, 3 min., super 8, silent, 18/24fps, b&w, USA/Japan) The th...
Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has b...
Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shad...
Len Lye usually timed his films with great care to match their soundtracks, but for All Souls Carniv...
A mathematical play on one repeated movement. It imparts a sense of possibilities: that something si...
Lulu the dog gets a job at the local convenience store and stays up all night cleaning the back room...
We watch white shapes dancing on black background, which changes when the white shape fills up the s...