Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

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At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mal...

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A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous ...

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The fast career of a young Neapolitan among contraband, gambling dens, bribes and illegality. He wil...

An alcoholic becomes involved in a fellow A.A. member's plan to kidnap her young son from the boy's ...

The Alchemist assembles together a group of people from all walks of life to represent the planets i...

A trio of unemployed silent film actors are mistaken for real heroes by a small Mexican village in s...

An ex-con teams up with federal agents to help them with breaking up a moonshine ring.

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Short documentary about a transexual sex worker.

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Having fled to Mexico from the U.S. many years ago for killing his father's murderer, Martin Brady t...