Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

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Final installment in Juan Orol's Percal trilogy. In this film, Malena is freed from prison by a gang...

Aspiring opera singer Luis Landa returns to his hometown to avenge the murder of his brother.

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silent cowboy western starring Dustin Farnum as a rancher whose partner is killed by rustlers. He t...

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A woman, an illusion. Matilde Landeta makes come true, at her seventy six years of age, what she has...

Film based loosely on the life of Mexican drug kingpin Ricardo Lopez.

Two stories of people who's life has changed after joining the cult of "La Santa Muerte" for both be...

A secretary plans to rob her boss with the help of her gangster boyfriend and his gang, but a specia...
A down in his luck film director falls in love with an attractive waitress and decides to launch her...

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A portrayal of the Mexican Day of the Dead consisting of still shots and narration. Deals with the ...