Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

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A trio of unemployed silent film actors are mistaken for real heroes by a small Mexican village in s...

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When brash Texas border officer Mike Norton wrongfully kills and buries the friend and ranch hand of...

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Disgraced pro football quarterback Paul Crewe lands in a Texas federal penitentiary, where manipulat...

An alcoholic becomes involved in a fellow A.A. member's plan to kidnap her young son from the boy's ...

Having fled to Mexico from the U.S. many years ago for killing his father's murderer, Martin Brady t...

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This is the story of a young man who rebels against the Agha class in the east side of Turkey. The s...

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