Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

Frances Farmer's second film is a typical B-programmer from the Paramount lot of 1936--up and coming...

A man on the run takes another man's passport, only to find himself stuck with the identity of a str...

A soldier goes back to a town to get rid of all the traces of a massacre.

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An exploration of the United States of America's war on drugs from multiple perspectives. For the ne...

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An ex-con teams up with federal agents to help them with breaking up a moonshine ring.

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After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are...

Vince Hackett's gang steals a prized victory canon from Mexico and blames the deed on ex-member Jess...

A young man learns that people don't expect others to have good intentions.

A prize-fighting boxer with a lethal right punch falls for a gangster's moll on the run in Mexico.

The daughter of a rich business man gets involved with New Age beliefs that clash with Christianity.

Chip of the Flying U was Johnny Mack Brown's first western entry for 1940. Brown essays the title ro...

Two unlikely companions must smuggle four suitcases filled with contraband pork across Nazi-occupied...