Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
The Invisible Subtitler is an independent documentary about the use of subtitles in cinema and the l...
Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has ...
This documentary short subject for DVD gives a look at the making of Cole Porter's MGM classic, "Les...
This second entry in MGM's "Romance of Film" series documents how celluloid movie film is processed ...
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Run Wrake is an English filmmaker, animation director, and music video director. He studied graphic ...
The documentary that tells us the full story from where it all started through to the future of the ...
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To celebrate the release of a new movie for their 20th anniversary, this documentary offers some beh...
The film summarizes the origin and development of animated film at the turn of the 19th and 20th cen...
A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Al...
An in-depth look at the creative process behind "Society of the Snow," featuring cast, crew, directo...
Oscar-winning cinematographer Philippe Rousselot offers a master class in image making, with insight...
How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relev...
Absolute pleasure as an identity. Alfonso de Sierra, Luis Escribano, Ramón Massa, Ces Martí and Enr...
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“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from wo...
This video essay, featuring film scholar Leonard Leff, addresses the 1938 Alfred Hitchcock film The ...