Herbert von Karajan directed this film of Verdi’s Shakespearan masterpiece as well as conducting the Berlin Philharmonic. As the tragic Moor of Venice, arguably his greatest role, John Vickers (in the words of critic David Cairns) "commands both the notes and the moral grandeur of the part. … And he has the aura of greatness – greatness of heart, of bearing, of musical and dramatic conception". Mirella Freni is a heartbreakingly lovely and fragile Desdemona, while the fine English baritone Peter Glossop plays the villainous Jago.
The story of Cio-Cio-San, called Butterfly, a young Nagasaki geisha who, abandoned by her American l...
Any performance of Giuseppe Verdi’s Aida at La Scala, Milan, is guaranteed to be an experience – but...
The sequel to the 2013 short, August sings Carmen 'Habanera'. After Elfie and her nerdy son August s...
The plans of a publicity agent to put on a charity concert are nearly wrecked by a lawyer who wants ...
Elijah Moshinsky’s witty production deftly walks the line between the lighthearted humor and the pro...
John Dexter’s brilliant production of Britten’s searing opera stars Dwayne Croft in the title role o...
A devil is at work in the Ukrainian village of Sorochintsy, terrifying residents and travellers alik...
Portrait of a Knight is a musical romance about the way in which historic ideals inform contemporary...
The season kicks off with Boitos resplendent retelling of Goethes Faust, a monumental work of 'chora...
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is de...
Vivian, Roe, JJ, Ines and a mysterious French man through a 20 year musical memory of New York City....
Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of No...
Macbeth" was Giuseppe Verdi's first attempt at music drama and also the first manifestation of his p...
Walter Felsenstein's staging of Jacques Offenbach's The Tales of Hoffmann at the Komische Opera Berl...
‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846)...
Can the darkest moments of life also lift our souls? Drawing on his own experience in a Siberian pri...
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not ...
First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of L...