Ang Babae sa Likod ng Mambabatok unravels the multiple layers of the almost mythological figure-living legend, Fang Od, a 92 year old woman who has been called the ‘Last [Traditional] Tattoo Artist of Kalinga.’ The first layer of the story is the one she is most famous for-being a tattoo artist. At her eyes, she continues to exhibit sharpness and precision in the very demanding art and skill of tattooing. The second layer shows her many stories as woman who has reached the age of looking back. She regales us with stories of her many suitors, of her youth, the dancing and the feasts. She also looks back with not just a tinge of regret that she never married nor had children of her own. Her body covered in tattoos is a landscape on its own mirroring the map of a woman who has chosen wittingly or unwittingly a road diverging from convention and in the process became a culture-bearer.
The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tis...
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Public health physician Noel Nutels' ideas and the footage he made of Brazilian indigenous peoples b...
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For hundreds of years, Taiwan has been under different colonial rules. From the Dutch, the Spanish, ...
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to ...
In the town of San Miguel Tzinacapan, in Puebla’s Nahua Mountain Range, a family lost its father. Hi...
In the '60s, the Mushuau Innu had to abandon their 6,000-year nomadic culture and settle in Davis In...
A 1970s American elementary school program encouraging students to figure out for themselves the uni...
An exploration into the creative process, following Native Hawaiian slam poet Jamaica Heolimeleikala...
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