Thom Andersen (Los Angeles Plays Itself, Red Hollywood) reconsiders the films of Spencer Williams, the pioneering African American screenwriter, director, and actor whose 1940s melodramas centered on sinners and saints—Beale Street mamas and storefront preachers, crime bosses and upwardly striving lawyers and soldiers—who are tempted by jazz and sex and then set back on the glory road to salvation. - MoMA
Tom, Dick and Harriet, a mischievous trio from Whiskers End, get more than they bargain for the day ...
A woman is forced to rediscover her humanity in an increasingly digital world.
Sophie comes to New York from France with the intention of joining a man she met a few months before...
Following the Death of Batman, a new vigilante hits Gotham, hellbent on fulfilling redemption, over ...
Two twisted young film makers are shocked when a purchase of some new snuff hits a little too close ...
In this deserted former Nazi holiday camp and communist military complex, teenagers Jan and Matthieu...
An animated film about the British engineer Isambard Kingdom Brunel, who spearheaded numerous engine...
A lamp causes a ruckus in the shop while the shopkeeper is away.
A police officer records an unusual deposition from a young woman: all her dreams have been stolen.
Human tells the story of Anna, a woman lost and alone who stumbles upon what appears to be an abando...
Climate scientist Terra Church battles for the future of sustainable life, in multiple realities.
Two young activists try to sabotage 'DEE', a futuristic company that aims to create a highly control...
The fumes emanating from a traffic jam make everybody, and every animal, cough.
A biographical short about French fashion designer Gabrielle "Coco" Chanel.
Reflections is about a loner who looks at those around him and daydreams about what his life could b...
Martin is a curious boy, but because of his personality, he often has misunderstandings with his par...