Perrone switches back to color and chooses European painting as the space for his tale and as his land of experimentation. The stage: paintings by Manet, Monet, Renoir, among other chosen artists; still, open-air landscapes put together through their similarities. The characters who move there: two men, two women, two hunters, two ominous creatures (one of them a tiny creature of the night with two eyes and a brutish and wild human body). Divided in 18 acts, the narrative of this film is limited to showing brief episodes about desire and violence as the fuel of human endeavors, while its characters roam in the woods. With no words at all, Perrone wagers all on the juxtaposition of textures, on superimpositions, and on the power of face close-ups – these are his main arguments.

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recentl...

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwin...

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Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly politica...
Two men who have been friends for quite some time and who live in different cities maintain a corres...

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A depressed man contemplates the imminent end of the world.

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Repurposing and manipulating classic film footage and the filmmaker’s personal footage, the film wea...

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. Wit...

Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of th...

Robin Hood and his followers aid the poor and oppressed from their hideout in Sherwood Forest, pursu...

After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a s...
An expelled horse owner clears his name and wins the Grand National.
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Two smugglers meet two customs officers at sea, and happen to kill them. The story continues fifteen...