Perrone switches back to color and chooses European painting as the space for his tale and as his land of experimentation. The stage: paintings by Manet, Monet, Renoir, among other chosen artists; still, open-air landscapes put together through their similarities. The characters who move there: two men, two women, two hunters, two ominous creatures (one of them a tiny creature of the night with two eyes and a brutish and wild human body). Divided in 18 acts, the narrative of this film is limited to showing brief episodes about desire and violence as the fuel of human endeavors, while its characters roam in the woods. With no words at all, Perrone wagers all on the juxtaposition of textures, on superimpositions, and on the power of face close-ups – these are his main arguments.

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only ...

Frank visits his friend Josef, who introduces him to his pedigree rabbits and his wife Mary. Frank i...

An army pilot is visiting the home of another army pilot in a neighboring country, and falling in lo...

A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi ...

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

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An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face...

Wanting his son to get away from his many girlfriends and buckle down to work, the New York industri...

A gang of crooks evade the police by moving their operations to a small town. There the gang's leade...

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and praye...

Two brothers compete for the love of a woman while the impending war threatens to separate them from...

Like Max Ophüls, Capellani set many films in the theatre – backstage, on stage, in the public eye; H...